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Produktbeschreibung

Erscheinungsjahr: 2009
Ages 12 and up
Gewicht: 207 gr / Abmessung: 20 cm
Von Asher, Jay

Als Clay Jensen von der Schule nach Hause kommt, findet er auf der Türschwelle ein mysteriöses Paket mit seinem Namen. Als er es öffnet, findet er eine Reihe von Kassetten, aufgenommen von Hannah Baker, seiner Klassenkameradin und heimlichen Liebe. Hannah hat vor zwei Wochen Selbstmord begangen. Und auf den Bändern erfährt Clay dreizehn Gründe, warum sie es tat. Er selbst ist einer von ihnen ... "Thirteen reasons why" ist das brillante Erstlingswerk von Jay Asher.

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Produktbeschreibung

The Awakening; The Struggle. Two books in one volume
Erscheinungsjahr: 2009
Ages 14 and up; All Ages
Gewicht: 268 gr / Abmessung: 20 cm
Von Smith, Lisa J.

The Awakening: Elena Gilbert is used to getting what she wants and she wants mysterious new boy, Stefan. But Stefan is hiding a deadly secret - a secret that will change Elena''s life for ever ...The Struggle: Elena is torn between her boyfriend, Stefan, and his brother, Damon. But these brothers hide dark secrets and a tragic past that threatens them all.
Damon wants to lead Elena astray - and he''d rather kill Stefan than let him possess her ...

Hinweis:
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Amazon.com

"If you take a bad boy and make him dig a hole every day in the hot sun, it will turn him into a good boy." Such is the reigning philosophy at Camp Green Lake, a juvenile detention facility where there is no lake, and there are no happy campers. In place of what used to be "the largest lake in Texas" is now a dry, flat, sunburned wasteland, pocked with countless identical holes dug by boys improving their character. Stanley Yelnats, of palindromic name and ill-fated pedigree, has landed at Camp Green Lake because it seemed a better option than jail. No matter that his conviction was all a case of mistaken identity, the Yelnats family has become accustomed to a long history of bad luck, thanks to their "no-good-dirty-rotten-pig-stealing-great-great-grandfather!" Despite his innocence, Stanley is quickly enmeshed in the Camp Green Lake routine: rising before dawn to dig a hole five feet deep and five feet in diameter; learning how to get along with the Lord of the Flies-styled pack of boys in Group D; and fearing the warden, who paints her fingernails with rattlesnake venom. But when Stanley realizes that the boys may not just be digging to build character--that in fact the warden is seeking something specific--the plot gets as thick as the irony.

It's a strange story, but strangely compelling and lovely too. Louis Sachar uses poker-faced understatement to create a bizarre but believable landscape--a place where Major Major Major Major of Catch-22 would feel right at home. But while there is humor and absurdity here, there is also a deep understanding of friendship and a searing compassion for society's underdogs. As Stanley unknowingly begins to fulfill his destiny--the dual plots coming together to reveal that fate has big plans in store--we can't help but cheer for the good guys, and all the Yelnats everywhere. (Ages 10 and older) --Brangien Davis

Amazon.co.uk

I'm not going to run away," Stanley said. "Good thinking, " said Mr Sir. "Nobody runs away from here. We don't need a fence. Know why? Because we've got the only water for a hundred miles. You want to run away? You'll be buzzard food in three days." Stanley could see some kids dressed in orange and carrying shovels dragging themselves towards the tents. "You thirsty?" asked Mr Sir. "Yes, Mr Sir," Stanley said gratefully. "Well, you better get used to it. You're going to be thirsty for the next eighteen months."

If you are looking for a truly remarkable novel, something to get your teeth into, something to make you think, and something to make you feel that you have just touched real class, then look no further than Louis Sachar's extraordinary, award-winning novel Holes.

Camp Greenlake is a place for bad boys, where the belief is: "if you take a bad boy and make him dig a hole every day in the hot sun, it will turn him into a good boy." When Stanley Yelnats, accused and found guilty of a crime he did not commit, is sent to Camp Greenlake he really doesn't think it can be so bad. Stanley and his family try to pretend that he is just going away to camp like the rich kids do, and he promises to write to them every day. But the harsh realities of the camp, and the evil Warden with her lizard-venom impregnated fingernails with her own reasons for making the boys in her charge dig so many holes, sometimes make dying seem like a great idea. When Stanley leaves the camp to go in search of his friend Zero, their journey towards freedom becomes a battle with hunger, thirst and heat in the shadow of Big Thumb--a mountain so entwined in Stanley's own family history that he knows if they can reach it they will somehow find salvation.

A complex story, riddled with the harsh imagery and barren despair, Holes is a perceptive and intricate homage to family and friendship which never shies away from the harshest of realities yet injects the story of a seemingly hopeless boy with a sly, sideways humour that crackles against the backdrop of the arid wastelands of the desert. An absolute must for anyone, young or old, who relishes an intelligent, courageous and dynamic read. (Age 11 and over) --Susan Harrison

Amazon.com

"If you take a bad boy and make him dig a hole every day in the hot sun, it will turn him into a good boy." Such is the reigning philosophy at Camp Green Lake, a juvenile detention facility where there is no lake, and there are no happy campers. In place of what used to be "the largest lake in Texas" is now a dry, flat, sunburned wasteland, pocked with countless identical holes dug by boys improving their character. Stanley Yelnats, of palindromic name and ill-fated pedigree, has landed at Camp Green Lake because it seemed a better option than jail. No matter that his conviction was all a case of mistaken identity, the Yelnats family has become accustomed to a long history of bad luck, thanks to their "no-good-dirty-rotten-pig-stealing-great-great-grandfather!" Despite his innocence, Stanley is quickly enmeshed in the Camp Green Lake routine: rising before dawn to dig a hole five feet deep and five feet in diameter; learning how to get along with the Lord of the Flies-styled pack of boys in Group D; and fearing the warden, who paints her fingernails with rattlesnake venom. But when Stanley realizes that the boys may not just be digging to build character--that in fact the warden is seeking something specific--the plot gets as thick as the irony.

It's a strange story, but strangely compelling and lovely too. Louis Sachar uses poker-faced understatement to create a bizarre but believable landscape--a place where Major Major Major Major of Catch-22 would feel right at home. But while there is humor and absurdity here, there is also a deep understanding of friendship and a searing compassion for society's underdogs. As Stanley unknowingly begins to fulfill his destiny--the dual plots coming together to reveal that fate has big plans in store--we can't help but cheer for the good guys, and all the Yelnats everywhere. (Ages 10 and older) --Brangien Davis

Produktbeschreibung

Complete and unabridged
Erscheinungsjahr: 1995
w. ill.
Ages 8 and up
Gewicht: 81 gr / Abmessung: 20 cm
Von Saint-Exupéry, Antoine de

Hinweis:
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From Amazon.co.uk

You could be excused for thinking that this book is one containing a simple story for young children about a Little Prince. How wrong you would be! This is far from the truth: it is much more. It is a complex story containing lots of ambiguities about a child with golden hair. These are all eruditely discussed before the actual story begins, in a section entitled "How It All Began". "Is The Little Prince a story written for children or is it a meditation intended for adults?"

The Art of Living is discussed, along with a system of values, and the train of thought behind them is the unifying element. You are invited to "look at the book, and allow yourself to travel from one image to the next... " It was written and published more than 50 years ago in the USA, and the author was a Frenchman who illustrated the book himself; it was later translated by Kathryn Woods. The Little Prince is still very popular and has now been translated into many languages. Shortly after it was first written, the author died--disappearing together with his plane somewhere over the Mediterranean. This Gift edition contains all the original illustrations, plus some more original drawings that came to light later and have been published here for the first time.--Susan Naylor

Amazon.com

Antoine de Saint-Exupéry first published The Little Prince in 1943, only a year before his Lockheed P-38 vanished over the Mediterranean during a reconnaissance mission. More than a half century later, this fable of love and loneliness has lost none of its power. The narrator is a downed pilot in the Sahara Desert, frantically trying to repair his wrecked plane. His efforts are interrupted one day by the apparition of a little, well, prince, who asks him to draw a sheep. "In the face of an overpowering mystery, you don't dare disobey," the narrator recalls. "Absurd as it seemed, a thousand miles from all inhabited regions and in danger of death, I took a scrap of paper and a pen out of my pocket." And so begins their dialogue, which stretches the narrator's imagination in all sorts of surprising, childlike directions.

The Little Prince describes his journey from planet to planet, each tiny world populated by a single adult. It's a wonderfully inventive sequence, which evokes not only the great fairy tales but also such monuments of postmodern whimsy as Italo Calvino's Invisible Cities. And despite his tone of gentle bemusement, Saint-Exupéry pulls off some fine satiric touches, too. There's the king, for example, who commands the Little Prince to function as a one-man (or one-boy) judiciary:

I have good reason to believe that there is an old rat living somewhere on my planet. I hear him at night. You could judge that old rat. From time to time you will condemn him to death. That way his life will depend on your justice. But you'll pardon him each time for economy's sake. There's only one rat.

The author pokes similar fun at a businessman, a geographer, and a lamplighter, all of whom signify some futile aspect of adult existence. Yet his tale is ultimately a tender one--a heartfelt exposition of sadness and solitude, which never turns into Peter Pan-style treacle. Such delicacy of tone can present real headaches for a translator, and in her 1943 translation, Katherine Woods sometimes wandered off the mark, giving the text a slightly wooden or didactic accent. Happily, Richard Howard (who did a fine nip-and-tuck job on Stendhal's The Charterhouse of Parma in 1999) has streamlined and simplified to wonderful effect. The result is a new and improved version of an indestructible classic, which also restores the original artwork to full color. "Trying to be witty," we're told at one point, "leads to lying, more or less." But Saint-Exupéry's drawings offer a handy rebuttal: they're fresh, funny, and like the book itself, rigorously truthful. --James Marcus

Kurzbeschreibung

Margo Ford just became an heiress. Not the Paris Hilton kind. Her billions came after her father died and her insanely wealthy, insanely absent mother officially claimed her. Unfortunately, some terrorists noticed, and they hatched a plot to kidnap her. After a news report goes awry, reporting that Margo *has* been kidnapped, and her mother offers the humiliating sum of $500,000 for her return, Margo doesn't want anything to do with her *#$!@ of an egg donor. Then she is sentenced to a summer of "protection" on her mother's private island. Not the Oprah Winfrey kind. This one has an astronomical observatory filled with scientists, including Logan Greer, a super hot, super infuriating planet-hunter. Hiding out from kidnappers has never been so boring... until suddenly it isn't anymore.

--

"[Before You Go] is well-written and the characters are well defined, so that the
reader doesn't have to spend time trying to figure out who is doing what
and why. There is a definite focus on Logan and Margo's relationship
without sacrificing the importance of other players to the drama as a
whole and individuals within the work are written in such a way that
they are instantly relateable to readers. This is a joy to read
and will bring a smile to the heart of anyone who still believes in true
love, chemistry, white knights, princesses, and following one's own
star." -WTFareyoureading.blogspot.com review blog

Kurzbeschreibung

Margo Ford just became an heiress. Not the Paris Hilton kind. Her billions came after her father died and her insanely wealthy, insanely absent mother officially claimed her. Unfortunately, some terrorists noticed, and they hatched a plot to kidnap her. After a news report goes awry, reporting that Margo *has* been kidnapped, and her mother offers the humiliating sum of $500,000 for her return, Margo doesn't want anything to do with her *#$!@ of an egg donor. Then she is sentenced to a summer of "protection" on her mother's private island. Not the Oprah Winfrey kind. This one has an astronomical observatory filled with scientists, including Logan Greer, a super hot, super infuriating planet-hunter. Hiding out from kidnappers has never been so boring... until suddenly it isn't anymore.

--

"[Before You Go] is well-written and the characters are well defined, so that the
reader doesn't have to spend time trying to figure out who is doing what
and why. There is a definite focus on Logan and Margo's relationship
without sacrificing the importance of other players to the drama as a
whole and individuals within the work are written in such a way that
they are instantly relateable to readers. This is a joy to read
and will bring a smile to the heart of anyone who still believes in true
love, chemistry, white knights, princesses, and following one's own
star." -WTFareyoureading.blogspot.com review blog

Amazon.co.uk

There's always room for another fantasy quest trilogy--as long as it has distinction, originality and a cracking plot. This has. Eragon, Paolini's first book in his Inheritance Trilogy, which he began writing when aged only 15, is an amazing debut that demonstrates a written maturity beyond its creators' years. Any rough edges borne through inexperience are quickly forgiven as his story takes the reader on an imaginative journey by way of a host of likable and interesting characters and several breathtaking and dramatic sequences of high fantasy.

Eragon's adventure begins when he is out hunting one day in the mountainous region of his world known as the Spine. While eyeing up a tasty deer with his bow, his aim is disturbed by a polished blue stone that explodes from the sky and narrowly misses him. The oval shaped object, cool and frictionless to his touch, weighs several pounds and it turns out to be his only reward from his days' hunting session. Returning to his home town Carvahall, Eragon's unsuccessful attempts to exchange the stone for meat for his family begins a run of bad luck that will eventually force him to flee his place of birth. This heralds the beginning of a new destiny for him.

The stone is in fact a dragon's egg, and it chooses to hatch in Eragon's company--making him the first new Dragon Rider for many, many years. Suddenly, the fate of the Empire rests in his hands and he must navigate a dark and dangerous terrain, and some formidable enemies, to challenge the might of a king whose evil is limitless.

Despite its classic quest format there are enough new ideas and twists and turns to make it stand out among its legion of competitors in the genre. Eragon begins a bigger story that continues with the follow-up Eldest.

(Age 12 and over)--John McLay

Amazon.com

Here's a great big fantasy that you can pull over your head like a comfy old sweater and disappear into for a whole weekend. Christopher Paolini began Eragon when he was just 15, and the book shows the influence of Tolkien, of course, but also Terry Brooks, Anne McCaffrey, and perhaps even Wagner in its traditional quest structure and the generally agreed-upon nature of dwarves, elves, dragons, and heroic warfare with magic swords.

Eragon, a young farm boy, finds a marvelous blue stone in a mystical mountain place. Before he can trade it for food to get his family through the hard winter, it hatches a beautiful sapphire-blue dragon, a race thought to be extinct. Eragon bonds with the dragon, and when his family is killed by the marauding Ra'zac, he discovers that he is the last of the Dragon Riders, fated to play a decisive part in the coming war between the human but hidden Varden, dwarves, elves, the diabolical Shades and their neanderthal Urgalls, all pitted against and allied with each other and the evil King Galbatorix. Eragon and his dragon Saphira set out to find their role, growing in magic power and understanding of the complex political situation as they endure perilous travels and sudden battles, dire wounds, capture and escape.

In spite of the engrossing action, this is not a book for the casual fantasy reader. There are 65 names of people, horses, and dragons to be remembered and lots of pseudo-Celtic places, magic words, and phrases in the Ancient Language as well as the speech of the dwarfs and the Urgalls. But the maps and glossaries help, and by the end, readers will be utterly dedicated and eager for the next book, Eldest. (Ages 10 to 14) --Patty Campbell