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Kurzbeschreibung

THE FIRST FOUR TITLES IN THE ACERBIC, ECCENTRIC AND HILARIOUS AGATHA RAISIN SERIES AT A BARGAIN PRICE.

THE QUICHE OF DEATH

Revenge is a dish best served warm...

High-flying public relations supremo Agatha Raisin has decided to take early retirement. She's off to make a new life in a picture-perfect Cotswold village. To make friends, she enters the local quiche-making competition - and to make quite sure of first prize she secretly pays a visit to a London deli.

Alas, the competition judge succumbs after tasting her perfect quiche, and Agatha is revealed as a cheat and potential poisoner. Definitely not the best start. So Agatha must turn amateur sleuth - she's absolutely got to track down the real killer!

THE POTTED GARDENER

Agatha goes digging where she shouldn't...

Agatha is taken aback when she finds a new woman ensconced in the affections of her attractive bachelor neighbour, James Lacey. The beautiful Mary Fortune is superior in every way, especially when it comes to gardening - and with Carsely Garden Open Day looming, Agatha feels this deficiency acutely.

So when Mary is discovered murdered, buried upside down in a pot, Agatha seizes the moment and immediately starts yanking up village secrets by their roots and digging the dirt on the hapless victim. But Agatha has an awkward secret too . . .

THE VICIOUS VET

Agatha lets sleeping vets lie...

Retired PR boss Agatha Raisin is enjoying life in her pretty Cotswold village of Carsely. It even seems likely that the attractive new vet, Paul Bladen, has taken a shine to her. But before romance can blossom, Paul is killed in an accident with Lord Pendlebury's horse. Only the circumstances are rather suspicious.

Agatha decides she must once more play amateur investigator. And this cloud has a silver lining - she can persuade her usually stand-offish neighbour, James Lacey, to become her partner in the quest. As usual, Agatha is quite prepared to rush in, heedless of the lurking menace to both James and herself.

THE WALKERS OF DEMBLEY

An unexpected hike to the Other Side . . .

After time away, Agatha Raisin returns to her beloved Cotswold village of Carsely - and to her handsome neighbour, James Lacey. True, James seems less than thrilled to see her, but Agatha is soon distracted by a sensational murder. The victim, found in a field, is young hiker Jessica Tartinck, who spent her life enraging landowners by insisting on her right to roam. Hope springs eternal in Agatha's breast as she lures the reluctant James into her investigation. There are so many leads to follow, for Jessica's fellow walkers - not to mention the landowners - all seem able to commit murder.

Kurzbeschreibung

THE FIRST FOUR TITLES IN THE ACERBIC, ECCENTRIC AND HILARIOUS AGATHA RAISIN SERIES AT A BARGAIN PRICE.

THE QUICHE OF DEATH

Revenge is a dish best served warm...

High-flying public relations supremo Agatha Raisin has decided to take early retirement. She's off to make a new life in a picture-perfect Cotswold village. To make friends, she enters the local quiche-making competition - and to make quite sure of first prize she secretly pays a visit to a London deli.

Alas, the competition judge succumbs after tasting her perfect quiche, and Agatha is revealed as a cheat and potential poisoner. Definitely not the best start. So Agatha must turn amateur sleuth - she's absolutely got to track down the real killer!

THE POTTED GARDENER

Agatha goes digging where she shouldn't...

Agatha is taken aback when she finds a new woman ensconced in the affections of her attractive bachelor neighbour, James Lacey. The beautiful Mary Fortune is superior in every way, especially when it comes to gardening - and with Carsely Garden Open Day looming, Agatha feels this deficiency acutely.

So when Mary is discovered murdered, buried upside down in a pot, Agatha seizes the moment and immediately starts yanking up village secrets by their roots and digging the dirt on the hapless victim. But Agatha has an awkward secret too . . .

THE VICIOUS VET

Agatha lets sleeping vets lie...

Retired PR boss Agatha Raisin is enjoying life in her pretty Cotswold village of Carsely. It even seems likely that the attractive new vet, Paul Bladen, has taken a shine to her. But before romance can blossom, Paul is killed in an accident with Lord Pendlebury's horse. Only the circumstances are rather suspicious.

Agatha decides she must once more play amateur investigator. And this cloud has a silver lining - she can persuade her usually stand-offish neighbour, James Lacey, to become her partner in the quest. As usual, Agatha is quite prepared to rush in, heedless of the lurking menace to both James and herself.

THE WALKERS OF DEMBLEY

An unexpected hike to the Other Side . . .

After time away, Agatha Raisin returns to her beloved Cotswold village of Carsely - and to her handsome neighbour, James Lacey. True, James seems less than thrilled to see her, but Agatha is soon distracted by a sensational murder. The victim, found in a field, is young hiker Jessica Tartinck, who spent her life enraging landowners by insisting on her right to roam. Hope springs eternal in Agatha's breast as she lures the reluctant James into her investigation. There are so many leads to follow, for Jessica's fellow walkers - not to mention the landowners - all seem able to commit murder.

Kurzbeschreibung

Aus der Amazon.de-Redaktion

Ulysses auf CD? Geht das?? Natürlich nicht. Wollte man Leopold Blooms Odyssee im Dublin des 16. Juni 1904 als Gesamtheit aufzeichnen, bräuchte man 15 CDs. Zu aufwendig, zweifellos. Vorliegende Audioaufnahme ist denn auch ein Auszug aus Joyces Werk. Eine Art akustischer Appetithappen.

Was für eingefleischte Joyce-Fans viel zu wenig ist, bietet denjenigen, die sich bislang nicht an den genialen Iren wagten, einen schmackhaften Einstieg. Ulysses, oft als zu schwere Lesekost abgetan, zeigt in seiner abgespeckten Audioversion, welch ein Genuss er in Wirklichkeit ist. Dafür sorgt Jim Norton, der den unterschiedlichsten Charakteren, vom jovial-polternden Kneipenkumpanen bis zur feinsinnigen Hauptfigur, hinreißende Lebendigkeit verleiht. Egal, ob es laut und derb hergeht, fröhlich oder nachdenklich, Nortons Stimme bleibt stets klar und verständlich. Der irische Schauspieler verdeutlicht, wie viel Lust, Liebe und Lebensfreude in diesem genialen Werk stecken. Seine Kollegin, Marcella Riordan, überzeugt ebenfalls durch ihre Interpretation der Molly. Sie stellt die Sehnsüchte, den Lebenshunger von Blooms treuloser Ehefrau und ihre nächtlichen Unpässlichkeiten fassettenreich dar.

Die Aufnahme kommt mit wenigen akustischen Mitteln aus. Neben den Stimmen genügen Musikzitate, um die Spannung zu halten. Kürzungen, zwangsläufig an einigen Stellen drastisch, sind dennoch klug und angemessen. Nach den Anfangsszenen wählte man Schlüsselszenen aus Blooms Alltag aus. Das Booklett, mit englischer Einführung und genauer Auflistung der jeweiligen Episoden, unterstützt das Verständnis dieser Originalaufnahme. So entstand ein Ulysses, mundgerecht für diejenigen, die ihn noch nicht gekostet haben; geeignet, viele auf den Geschmack kommen zu lassen. Denn Joyce ist und bleibt -- akustisch wie optisch -- ein Leckerbissen. (4 CDs von insgesamt 4:49:17 Spieldauer) --Anne Hauschild

Amazon.co.uk

Ulysses has been labelled dirty, blasphemous and unreadable. In a famous 1933 court decision, Judge John M. Woolsey declared it an emetic book--although he found it not quite obscene enough to disallow its importation into the United States--and Virginia Woolf was moved to decry James Joyce's "cloacal obsession". None of these descriptions, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in its own way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book. Even the verbal vaudeville of the final chapters can be navigated with relative ease, as long as you're willing to be buffeted, tickled, challenged and (occasionally) vexed by Joyce's astonishing command of the English language.

Among other things, a novel is simply a long story, and the first question about any story is "What happens?" In the case of Ulysses, the answer could be "Everything". William Blake, one of literature's sublime myopics, saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of inforgettable Dubliners. We watch them teach, eat, loiter, argue and (in Bloom's case) masturbate. And thanks to the book's stream- of-consciousness technique--which suggests no mere stream but an impossibly deep, swift-running river-- we're privy to their thoughts, emotions and memories. The result? Almost every variety of human experience is crammed into the accordion-folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.

Both characters add their glorious intonations to the music of Joyce's prose. Dedalus's accent--that of a freelance aesthetician, who dabbles here and there in what we might call "Early Yeats Lite"-- will be familiar to readers of Portrait of an Artist As a Young Man. But Bloom's wistful sensualism (and naïve curiosity) is something else entirely. Seen through his eyes, a rundown corner of a Dublin graveyard is a figure for hope and hopelessness, mortality and dogged survival: "Mr Bloom walked unheeded along his grove by saddened angels, crosses, broken pillars, family vaults, stone hopes praying with upcast eyes, old Ireland's hearts and hands. More sensible to spend the money on some charity for the living. Pray for the repose of the soul of. Does anybody really?" --James Marcus

Amazon.com

Ulysses has been labeled dirty, blasphemous, and unreadable. In a famous 1933 court decision, Judge John M. Woolsey declared it an emetic book--although he found it sufficiently unobscene to allow its importation into the United States--and Virginia Woolf was moved to decry James Joyce's "cloacal obsession." None of these adjectives, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in a close-focus sort of way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book. Even the verbal vaudeville of the final chapters can be navigated with relative ease, as long as you're willing to be buffeted, tickled, challenged, and (occasionally) vexed by Joyce's sheer command of the English language.

Among other things, a novel is simply a long story, and the first question about any story is: What happens?. In the case of Ulysses, the answer might be Everything. William Blake, one of literature's sublime myopics, saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of indelible Dubliners. We watch them teach, eat, stroll the streets, argue, and (in Bloom's case) masturbate. And thanks to the book's stream-of-consciousness technique--which suggests no mere stream but an impossibly deep, swift-running river--we're privy to their thoughts, emotions, and memories. The result? Almost every variety of human experience is crammed into the accordian folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.

Both characters add their glorious intonations to the music of Joyce's prose. Dedalus's accent--that of a freelance aesthetician, who dabbles here and there in what we might call Early Yeats Lite--will be familiar to readers of Portrait of an Artist As a Young Man. But Bloom's wistful sensualism (and naive curiosity) is something else entirely. Seen through his eyes, a rundown corner of a Dublin graveyard is a figure for hope and hopelessness, mortality and dogged survival: "Mr Bloom walked unheeded along his grove by saddened angels, crosses, broken pillars, family vaults, stone hopes praying with upcast eyes, old Ireland's hearts and hands. More sensible to spend the money on some charity for the living. Pray for the repose of the soul of. Does anybody really?" --James Marcus

Kurzbeschreibung

Mordecai?s simple life as the son of a blacksmith is transformed by the discovery of his magical birthright. As he journeys to understand the power within him he is drawn into a dangerous plot to destroy the Duke of Lancaster and undermine the Kingdom of Lothion. Love and treachery combine to embroil him in events he was never prepared to face. What he uncovers will change his understanding of the past, and alter the future of those around him.


To learn more about the book and upcoming novels in the series visit the author's page on facebook:

http://www.facebook.com/pages/Michael-G-Manning/214166875287100

Kurzbeschreibung

Mordecai?s simple life as the son of a blacksmith is transformed by the discovery of his magical birthright. As he journeys to understand the power within him he is drawn into a dangerous plot to destroy the Duke of Lancaster and undermine the Kingdom of Lothion. Love and treachery combine to embroil him in events he was never prepared to face. What he uncovers will change his understanding of the past, and alter the future of those around him.


To learn more about the book and upcoming novels in the series visit the author's page on facebook:

http://www.facebook.com/pages/Michael-G-Manning/214166875287100

Kurzbeschreibung

Romantic, liberating and totally addictive, the Fifty Shades trilogy will obsess you, possess you, and stay with you for ever ...Daunted by the dark secrets of the tormented young entrepreneur Christian Grey, Ana Steele has broken off their relationship to start a new career with a US publishing house. But desire for Grey still dominates her every waking thought, and when he proposes a new arrangement, she cannot resist. Soon she is learning more about the harrowing past of her damaged, driven and demanding Fifty Shades than she ever thought possible. But while Grey wrestles with his inner demons, Ana must make the most important decision of her life. And it's a decision she can only make on her own ...